Are you:
working for your self as a Desktop publisher? undertaking
an Apprenticeship in the Graphic Arts? working as a
studio Graphic Designer? Then the following comments should
be of some interest to you. Using the experiences of many
before you, be willing to change the way you work, as
follows.In this day and age of computerised page layout
and DTP production, it seems so easy to just type all of
a jobs body text into PageMaker, Quark or Ventura etc.
and change the layout as you go, maybe even the design.
Yet a
little discipline, or coordination with work mates can
make life, and the production process, so much simpler.
These Text & Layout tutorials offer clues about how
to achieve this. One of the worst habits we create if
poorly trained is the entering of body text on the
finished page, or typing text into a word processor (best
move) and laying out tabs and text weight etc as we go
(worst move)!.
So, force
yourself or associates that do the setting to use a word
processor and simply type and type until the end. ONLY
USE the "Enter" key at the end of paragraphs
and headings. Leave the layout alone. PRINT, CHECK, EDIT:
THEN the raw text can be simply imported into the page
layout, adjusting the spacing to fit etc. Don't do it
twice - and you will if this method is not adopted.
How
the Pros do it!
Copy preparation is a skilled job which, if done
properly, assists the smooth flow of work through later
stages of the production cycle. All personnel, especially
those involved in the composition areas, have seen the
results of ineffective copy preparation.
Basically
however, poorly prepared copy results in extra costs to
the job at either the expense of the client (bad, non
competitive), or the expense of the production process
(bad, maybe the loss of your employment!). Plus it
creates problems for those further down the production
line.
The
following criteria will greatly assist in eliminating
unnecessary corrections resulting from bad copy: Not
all items listed are applicable if you work for yourself,
but even then the job will be quicker overall and more
accurate. Many before you have proved it, so try it.
- Allow
a good column width on the left of about 15 cm
for written instructions.
- Typewritten,
double or triple line spaced.
- Never
type on both sides of the paper.
- Use
white, A4 size, matt-finish, good quality paper
(Bond).
- Number
each page in the top right-hand corner.
- Ensure
there are a minimum number of corrections per
page. Heard of a Spell Check?
- Type
according to layout, i.e. allow a line for each
type face change or size of type face.
- Maintain
the same number of typewritten lines per page.
- Use typewriter
pica face (10 characters-per-inch); type
55_60 characters per line.
- Never
provide page attachments, e.g. Page 2a,
Page 4a.
- Allow
a left-hand margin of 4 cm for mark-up
instructions.
- Use
black carbon electronic typewriter ribbon rather
than cloth.
- Matter
not to be typeset should be circled.
- Use
accepted copy preparation/proof readers' marks.
- Clearly
indicate the last page of the copy.
- Ensure
that all instructions and copy are together and
that they correctly relate to one another.
- Write
your instructions to the left of the typing.
Write all instructions on the copy; not half on
copy and the rest on layout.
- All
instructions should be neat, clear, concise and
correct.
- Sectionalise
your copy if you require Lettering
modifications and Phototypesetting, divide copy
for each system, thus giving each department the
facility to work simultaneously on your job.
In
marking up specifications and instructions on the copy,
remember that the copy may pass through many hands and
unless the copy instructions are plainly and precisely
written, there is a possibility that certain
instructions, particularly verbal instructions,
can be overlooked.
Uniformity
of Style
When marking up copy ensure that the typographic styles
for headings, subheadings, captions and text point sizes,
spacing and indentions are maintained. Punctuation style
within the text should also be maintained. Abbreviations
and capitalisation throughout the text must be uniform to
maintain the style of the job, especially if the copy is
likely to be received from different sources.
Typesetting
Instructions
Typesetting is expensive, time consuming. Fewer errors
and resetting mean efficient cheaper jobs. The easiest
way to reduce typesetting errors is to provide clear and
complete instructions.
- Shown
below is a list of all the information a
typesetter/pagelayout person could need. It is a
long list and you will not need to use all of it
for every job, but each item should be
considered:
- Size
in points
Leading in points
Line Length in picas
Column Structure justified, fl l/rag r
Type Family Palatino, Helvetica
Weight light, med, bold
Posture roman, italic
Capitalisation CAPS, U/lc, lc
Indentation in ems
Let/Wrd Spacing from loose to touching
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